Framing Wildlife: performative research methods in the art-geography nexus.

By G. Sainsbury Exploring the embodied processes of filming wildlife in the ‘field’, alongside the use of post-production editing techniques, to question the orthodox framing of more-than-human relations in wildlife filmmaking. Author’s videographic stills, 2016. The ‘posthumanist’ and ‘affective’ turns in the social sciences have led to a questioning of representational (words and speech) researchContinue reading “Framing Wildlife: performative research methods in the art-geography nexus.”