Transcending an aesthetics of coloniality: reimagining relationships with colour as a decolonial praxis

by Ceara Ione Webster Autoethnographic reflective note: Before I get into this paper, hi hello wagwan? This is not necessarily a ‘good’ paper, but is one I loved writing because it demanded a lot of reflection from me. I have tried to add in more definitions for context and rephrase certain elements to make itContinue reading “Transcending an aesthetics of coloniality: reimagining relationships with colour as a decolonial praxis”

Framing Wildlife: performative research methods in the art-geography nexus.

By G. Sainsbury Exploring the embodied processes of filming wildlife in the ‘field’, alongside the use of post-production editing techniques, to question the orthodox framing of more-than-human relations in wildlife filmmaking. Author’s videographic stills, 2016. The ‘posthumanist’ and ‘affective’ turns in the social sciences have led to a questioning of representational (words and speech) researchContinue reading “Framing Wildlife: performative research methods in the art-geography nexus.”

Leigh Woods Sound Walk: Researching through Sounding

By Conal Dougan This is the first in a series of blog posts written by the current MSc Society and Space students about their dissertations. In his research project, Conal Dougan explores how places can be researched through sounding as well as the potential of sound walks to reconfigure attention and bodily movement. The site chosenContinue reading “Leigh Woods Sound Walk: Researching through Sounding”